Archivo:Harvard Theatre Collection - MS Thr 414.4 (33).jpg

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Resumen

Descripción
English: Set design by Alexandre Benois (1870-1960) for Pavillon d'Armide, garden for act II. Dated 1955. Watercolor, ink and pencil on paper ; 30 x 47.3 centimeters. Inscription at bottom: A ma chère fille bienamiée Anne pour son anniversaire de papa - Alexandre Benois 26. VIII. 1953 Le Pavillon d'Armide Version pour Paris II tableau. Alexandre Benois 1909. MS Thr 414.4 (33), Harvard Theatre Collection, Houghton Library, Harvard University
Fecha
Fuente

MS Thr 414.4 (33), Harvard Theatre Collection, Houghton Library, Harvard University

institution QS:P195,Q3719374
Autor Alexandre Benois
Permiso
(Reutilización de este archivo)
This is a media file that Houghton Library believes to be in the public domain of the United States. This applies to a work published before January 1, 1923, or the unpublished work of an author who died more than 70 years ago. Houghton Library and Harvard University claim no rights in this photographic reproduction of the work, and the image is free to download and reproduce for any use, commercial or non-commercial, without any further permission required. We request that where these media files are used, the Houghton Library is credited as the source of the materials. Please include this citation: "414.4 (33), Howard D. Rothschild Collection on Ballets Russes of Serge Diaghilev: Drawings and Prints, 1907-1956. Harvard Theatre Collection, Houghton Library, Harvard University., Houghton Library, Harvard University" as its source. In the event that any of the media files infringes your rights or the rights of any third parties, or file is not properly identified or acknowledged, we would like to hear from you so we may make any necessary alterations. In this event, please contact: Houghton_Library@harvard.edu.

Licencia

Public domain

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Public domain
This work was published on territory of the Russian Empire (Russian Republic) except for territories of the Grand Duchy of Finland and Congress Poland before 7 November 1917 and wasn't re-published for 30 days following initial publications on the territory of Soviet Russia or any other countries.

The Russian Federation (early Soviet Russia, RSFSR) is the historical heir but not legal successor of the Russian Empire, and the Russian Empire was not party to the Berne Convention (it was not country of Union for the protection of the rights of authors in their literary and artistic works), so according to article 5 of the Convention this work has no country of origin except:

  • in the case of cinematographic work the maker of which has his headquarters or his habitual residence in a country of the Union, the country of origin shall be that country,
  • in the case of of architecture erected in a country of the Union or other artistic works incorporated in a building or other structure located in a country of the Union, the country of origin shall be that country,
  • in the case of other works if the author is a national of a country of the Union¹, the country of origin shall be that country.

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The exclusive rights to this work do not extend on territory of the Russian Federation according to article 1256 of the Civil Code of the Russian Federation (details), because this work does not meet the requirements on the territory of publication, on the author's nationality, and on obligations for international treaties.


If applicable, {{PD-Russia-expired}} should be used instead of this tag.


Esta obra está en el dominio público en los Estados Unidos porque fue publicada (o registrada con la Oficina del Derecho de Autor de los E.E. U.U.) antes del 1 de enero de 1929.

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